Showing posts with label sixteenth century. Show all posts
Showing posts with label sixteenth century. Show all posts

Friday, 5 June 2009

Mary and the royal manor of Beaulieu

A few months back, Channel 4 aired a fantastic documentary on Henry VIII’s palaces, which involved the guys from Time Team. They attempted to recover evidence of Henry VIII’s lost palaces and examined the area where the Palace of Beaulieu once stood [1]. Prior to Henry’s building work, the site contained an impressive manor which was granted to Thomas Boteler (or ‘Butler’), Earl of Ormonde by Henry VII in 1491. In 1515 Thomas died and the property was granted to his daughter and coheir, Margaret who had married Sir William Boleyn [2]. William sold the property to Henry VIII sometime in 1515 and by January 1516 the king had already started to rebuild the manor.





When Beaulieu is mentioned in connection to Mary it often concerns her time there as an adolescent or later in life. It was at this royal manor that Mary composed a letter to her father detailing her astonishment that she had lost the title princess owing to his decision to annul his marriage to Katherine of Aragon and marry Anne Boleyn in 1533. It was also where the duke of Norfolk was sent to tell Mary that Henry desired her ‘to go to the Court and service of [Elizabeth], whom he named Princess’. In short, this was where Mary was informed that her new half-sister was now considered the king’s legitimate daughter and that she was now the illegitimate ‘Lady Mary’.


In her father’s will Mary was granted Beaulieu along with numerous other properties [3]. And in 1553, just after Mary had been pronounced as queen across the country, Beaulieu was where she was presented with a purse made of crimson velvet and filled with coins from the City of London, as a token of their respect for their new queen.


So Beaulieu became a well favoured residence for Mary. It was also where she declared before the sacrament that she would marry Philip of Spain with the Imperial ambassador and her lady-in-waiting Susan Clarencius being the only ones present. However it is not Mary’s connections as an adolescent or as queen to the royal manor that was examined in the Time Team programme. A much earlier connection was uncovered.


Whilst examining the ruins of the old royal manor in search of Henry VIII’s own apartments, the archaeologists came across another area where the original drainage system was existent and there were signs of previous massive bay windows that characterised the grand rooms of that period. Jonathon Foyle, an architectural historian who was present at the dig, proposed the theory that the rooms found were the royal nursery built for the infant Mary. He argued that the presence of either kitchens or a laundry belonging to rooms above indicated that the chambers belonged to an important individual, like a royal child.


Layout of Beaulieu. The red area to the bottom left marks the spot of the royal nursery.



The dates make sense. Henry purchases the manor in 1515 and work starts in January of 1516. By that point Katherine of Aragon was heavily pregnant and Mary was born in February of that year. Perhaps Henry, anticipating the birth of a male heir, purchased the manor for the child. The home was outside London and situated in the countryside and therefore away from dangers like plague making it a perfect location for the baby. Around £17,000 was spent on the manor between 1516 and 1522, indicating that the improvements were for someone notable [4].


There is also another and more striking indication that the manor has a connection to the infant Mary. Beaulieu is now lost to us but the arms of Henry VIII that formerly belonged to the outer gatehouse of the manor still survives. In the top right a pomegranate is included (the badge of Katherine of Aragon) and instead of being depicted with a slit with seeds poking through to symbolise fertility, a Tudor rose is emerging. It was argued that this represented the birth of a new Tudor, which in 1516 was of course Mary.



The investigation into the manor house provides us with valuable insight into one of Mary’s early residences. The episode can be watched here:
Part 1 - http://www.youtube.com/watch?v=PSYJ69hZPsk
Part 2 - http://www.youtube.com/watch?v=2mPHsdzp_kY&feature=related

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[1] Beaulieu is also known as Newhall, Essex.
[2] Sir William Boleyn (c.1451–1505) was Anne Boleyn’s paternal grandfather
[3] For a list of the properties Mary inherited from her father’s will (Beaulieu is given as ‘Newhall): http://www.flickr.com/photos/20631910@N03/2682859787/in/set-72157604065573545/
[4] Figures given in David Loades, Mary Tudor: A Life, p. 138.



References

Simon Thurley, The Royal Palaces of Tudor England: Architecture and Court Life, 1460-1547 (New Haven and London, 1993), pp. 44-5.

Anna Whitelock, Mary Tudor: England’s First Queen (London, 2009), pp. 56-7, 179.

Sunday, 17 May 2009

Mary's Coronation. Part 2 - Ceremony

In a previous post
I looked at Mary’s image throughout her coronation procession. This post will examine her coronation ceremony, which was the first for a queen regnant in England. By looking at the ceremony we can uncover the messages Mary was trying to promote, namely how she gave the populace an indication of her future policies.


Mary’s coronation was recorded in the Chronicle of Queen Jane and of Two Years of Queen Mary, and especially of the Rebellion of Sir Thomas Wyat. It occurred on ‘the first daie of October, 1553’, the day after her procession through London. According to the account:

"..she cam first by water to the old palice [1] and ther tarryed tyll about xi of the clocke, and then went to the churche on foot apon blew cloth being rayled on every syde..."


As mentioned in the previous post on Mary’s image, there was some disagreement amongst contemporary commentators about how Mary was dressed in the coronation procession. Interestingly on the day itself there was no confusion. She wore a ‘chrymesyn vellvert gown’ with a crown on her head, whilst her hair was left loose. The colour of the gown was significant and the fact that contemporaries noted it precisely indicates its importance. Mary had chosen to dress in a colour worn by the male monarch at his coronation instead of adopting white and gold, colours which the queen consort traditionally wore when she was crowned. Yet Mary was not a queen consort nor did she wish to present herself as such. She was a monarch in her own right and to illustrate her authority she chose to be crowned like a king. It is important to remember that Mary had no precedent to tell her how an English queen regnant was to be crowned, thus she was forming her own standard. She was stating that despite her sex she would govern with the same authority as her male predecessors. There was another reason behind her attempts to emphasis her power. Technically Mary had inherited the throne as a royal bastard; her father had illegitimated her and whilst he had provided her with a place within his succession and her right to govern was supported by the overwhelming majority, she was still not considered under law to be Henry VIII’s legitimate child. The accession of an illegitimate individual, even one whose right to succeed had been confirmed by parliament, was rather unprecedented [2]. Whilst she had received support she understood that her illegitimate state could be used against her – in fact it had been used against her by her brother and Jane Grey’s supporters. Mary rectified this by passing a parliamentary bill that stated her parents had been legally married. But this occurred after her coronation so Mary was to be crowned whilst illegitimate, something which she personally regarded as unjust. Therefore her attempts to enforce her authority were in defiance to her father’s judgement, her brother’s judgment and also those who had sided with Jane Grey. And it was also an indication of the decision on her parents’ marriage that she knew parliament would shortly reach.



No image of Mary from her coronation survives although in this Great Seal of Mary I and Philip of Spain, 1554, she is depicted with her hair lose, in official robes, wearing a crown, touching the orb and with the sceptre in her hand. This gives us some idea of the way she looked at her coronation.




Mary was determined to be crowned ‘according to the olde custome’ as opposed to the manner in which the Protestant Edward VI had been crowned. According to the Imperial ambassador, Simon Renard, "the bishops and priests [were] in full canonical dress" which was a move away from the attack on rich clerical vestments that had occurred in the previous reign. Mary objected to being anointed with the oils used in her brother’s coronation, arguing that they had been tainted by their use in a Protestant ceremony. Thus she wrote to the bishop of Arras in Brussels for a new ‘uncontaminated’ supply of holy oil. Years later when Elizabeth I was preparing her own coronation she complained that the holy oils used for Mary were now ‘grease and smelt ill’. They may have become rather stale, or perhaps Elizabeth was taking a page out of her sister’s book and removing elements that were connected to the previous opposing regime.

I’ve noticed a rumour on the internet stating that Mary refused to sit in the coronation chair because her Protestant brother had used it for his coronation. This is false – changing the holy oil was one thing but objecting to using the chair that was used for every crowned monarch after Edward I was certainly not something she did. As stated previously, Mary was keen to emphasis her right to rule and to govern like the kings that came before her. To remove such a vital element of the coronation ceremony – sitting in King Edward’s Chair – was unthinkable.




At the start of the ceremony two noblemen led Mary to each corner of a built dais so the whole congregation could see her. The man who presided over the ceremony and crowned her was the religious conservative Stephen Gardiner, bishop of Winchester who Mary made her Lord Chancellor. Once Mary had been shown to the congregation he stated aloud:

“Sirs, Here present is Mary, rightful and undoubted inheritrix by the Laws of God and man to the Crown and Royal Dignity of this realm of England, France and Ireland, whereupon you shall understand that this day is appointed by all the peers of this land for the consecration, injunction and coronation of the said most excellent Princess Mary; will you serve at this time and give your wills and assent to the same consecration, unction and coronation?”


To which the crowd responded "Yea, yea, yea! God save Queen Mary!"



A sermon was subsequently delivered by George Day, bishop of Chichester, who had been imprisoned in 1551 after he had refused to replace alters in churches in his diocese (and released upon Mary’s accession). His sermon called upon the populace to be obedient to their sovereign. Mary then knelt in front of the altar, pledged that she would always defend her subjects and administer justice in her lands. She then swore the oath, although there is some ambiguity about its wording. According to Anne Whitelock, Mary feared that the coronation oath would be tampered with in order to make her state that she would promise uphold the current faith in England (therefore the Protestant Church of England). Thus to the oath she added the term ‘just and licit laws’ to indicate that she would uphold those laws which she regarded as lawful. In that sense she was not bound to maintain her brother’s church and had flexibility in instituting her religious objectives.


After then prostrating herself before the high altar, she was anointed by Bishop Gardiner with the holy oils. She was then dressed in the robes of state, handed the sword, sceptre and the orbs to indicate her power, and then crowned with the crown of St Edward the Confessor. She also had a personal crown made, which may have been later used by Elizabeth. Anne Whitelock notes that this specially made crown was ‘a vast yet simple designed crown with two arches, a large fleur-de-lis and prominent crosses’ (p. 196).


There were limits to Mary’s attempts to have her coronation completely resemble a king’s. A king was supposed to have the ceremonial spurs placed upon him although this was regarded as unseemly for a queen to do, thus Mary just touched them. Then there was the question of making new Knights of the Bath. It was traditional for the monarch to create new knights at the time of the coronation and this involved a ceremony in which the naked knights would be plunged in a bath and the monarch would kiss their shoulder. But as Renard notes, “the Queen being a woman, the ceremony was performed for her by the Earl of Arundel, her Great Master of the Household”.


The whole ceremony lasted from around eleven o’clock to four o’clock that afternoon. Immediately following the ceremony she attended the sumptuous coronation banquet. Overall the day had gone off without a hitch.


However there had been a notable absence – the archbishop of Canterbury. Whilst Mary was being anointed as England’s first queen regnant, Thomas Cranmer was in the Tower having been arrested for his involvement in attempting to place Jane Grey on the throne. There was of course another reason for his imprisonment; it is notable that he was then sharing lodgings with a number of other Protestant clergymen. From Mary’s point of view it was absolutely inconceivable that she would be crowned by this man and in the end she managed to orchestrate his absence and replace him with Bishop Gardiner (who had been imprisoned himself during Edward VI’s reign). Mary was clearly stating that it was a time for ‘out with the old, in with the new’. Or perhaps more accurately, out with the new and back with the old.


Overall Mary’s coronation had been a triumph and a time for genuine celebration. Yet after the festivities finished Mary faced the difficult task of living up to the image she created for herself – that of an independent queen regnant who would govern like any man before her. She would face significant problems, even be the subject of a damning critique against female rule [3]. But by and large she made everyone know who was boss. We can hardly expect anything less of a Tudor!


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[1] A reference to Westminster Palace
[2] William I was also illegitimate and it is possible that Edward the Martyr’s parents were not married.
[3] John Knox’s infamous, The first blast of the trumpet against the monstrous regiment of women(1558), which argued that women by their nature were unfit to be authority figures, was originally written in response to the rule of Mary I.


References

Primary documents

John Gough Nichols (ed.), The Chronicle of Queen Jane, and of Two Years of Queen Mary, and especially of the Rebellion of Sir Thomas Wyat (London, 1850), pp. 27-32.
Letter from Simon Renard to Philip of Spain, 3rd October 1553, in Royall Tyler (ed.), Calendar of State Papers, Spain, Volume 11: 1553 (London, 1916), pp. 261-272.


Secondary sources

David Loades, Mary Tudor: A Life (Oxford, 1992), pp. 205-6.
Judith Richards, Mary Tudor (Oxon, 2008), pp. 137-9.
David Starkey, Elizabeth: Apprenticeship (London, 2000), p. 274.
Roy Strong, Coronation: A History of Kingship and the British Monarchy (London, 2005), pp. 192-3, 197-222.
Anna Whitelock, Mary Tudor: England’s First Queen (London, 2009), pp. 195-7.

Friday, 15 May 2009

Mary’s betrothal to Henri, duc d'Orléans, 1527

I thought it would be interesting to do some occasional posts on various images of or connected to Mary.

When most people think of Mary they frequently picture the notable portraits of her as queen – namely the wonderful Hans Eworth of Antonis Mor images. The very young Mary can often be overlooked, although admittedly we have few images of her as a preadolescent.


This image of Mary is from a marriage contract between herself and Henri, duc d'Orléans (second son of François I of France). Henri is depicted on the left and between himself and Mary is Hymenaeus, the God of marriage. The marriage contract was ratified on the 18th August 1527 and signified a peace treaty between Henry VIII and François. There had previously been discussion of a marriage between the widowed François and the eleven year old Mary, although it was decided that the eight year old Henri would be her prospective husband.


Mary had previously been betrothed to Henri’s elder brother, the dauphin of France (the heir to the French throne) although the match broke when Henry repudiated the peace treaty between England and France and betrothed Mary instead to the Holy Roman Emperor, Charles V (who was Katherine of Aragon’s nephew, hence Mary’s first cousin). After Charles subsequently abandoned Mary to marry Isabella of Portugal, Henry turned back to France and the treaty of Amiens was made.


Accompanying this newfound friendship between France and England was the exchange of honours. François installed Henry as a knight of the Order of St Michael in November 1527 and in the same month Henry made the French king a knight of the Garter. The statutes of the Order of the Garter that was presented to François can be seen to the left. At the bottom there is a woman holding together the Tudor rose and the French fleurs-de-lis, indicating the unity between the two kings. She is Concord and it has been suggested that she is representing Princess Mary, whose marriage to the French prince would cement the treaty.



Ultimately Mary and Henri did not marry – talk of the marriage dissolved with the alliance and when Mary’s status was attacked by father’s decision to annul his first marriage. The year in which Henry VIII officially annulled his marriage to Katherine of Aragon and Mary was subsequently illegitimatised marked Henri’s marriage to Catherine de’Medici. Both Henri and Mary would go on to be monarchs – Henri became his father’s heir in 1536 and ruled as Henri II (1547-1559). Despite the peaceful tone of the treaty that once promised Mary and Henri to each other, the pair would ultimately engage in conflict and it was to Henri that Mary lost Calais.





References

Charles Giry-Deloison, ‘A Diplomatic Revolution? Anglo-French Relations and the Treaties of 1527’, in David Starkey (ed.), Henry VIII: A European Court in England (London, 1991), pp. 77-87.

David Starkey, 'The Order of the Garter and St Michael', in David Starkey (ed.), Henry VIII: A European Court in England (London, 1991), pp. 94-99.